Masters Of Pocket Sax

After somewhat of a round the world trip, I have finally began to gather a collection of Pocket Sax Masters. I will no doubt be updating this playlist as time goes by.

Click this on screen icon for video list.

Herewith, a ‘pocket saxophonist’ is the term given to a most talented Xaphoonist who’s sound is almost en par with that of a larger Sax.

Whence reading my blog you will know, I have spoken many times about how true virtuoso Xaphoonists are very hard to find.

They are more precious than star dust.

Therefore, it was only inevitable that I would eventually begin searching the endless vaults of recordings, in the hope to start compiling a playlist of Pocket Sax Masters, those of whom have truly began to take hold of the heavens and channel this truly special instrument’s secret divine heart.

There are of course, many talented Xaphoonists out there, yet my excuse for not including them is purely a consequence of musical arrangement or presentation, rather than any absence of talent.

Also, whilst a Xaphoonist of good calibre may impress in one aspect, for example fluidity of scales, he or she may be weaker in another aspect, for example maturity of voice.

Of course, the Xaphoon as I have written often, harbours a rich diversity of voices, such as like Trumpet, Clarinet, Oboe, Sax and even Armenian Duduk. Yet the instrument itself requires a translator of its soul. Its disposition is of a linguistic unorthodoxy, as opposed to any social illegitimacy.

Thus, when addressing one as a Pocket Sax Master, I am saying the performer has acquired a substantial understanding of how the Xaphoon itself wishes to be interpreted and translated to the listener.

It cries, “My body may be finite, but my soul is eternal.”

Indeed thence, as time goes by and existing novices become more adept at their craft, I expect not only to find more and more quality performances, but much, much more well practised individuals who have truly taken The Art Of Pocket Sax unto another musical dimension.

Please enjoy.

4 thoughts on “Masters Of Pocket Sax

    1. It’s actually much deeper if a N°3 reed is used, but it’s much harder to adopt and so even more of a rarity to be heard. These guys are probably using the N°2.5 for fluidity, yet as you say, I agree they have achieved mellowvana ~ a most tremendous feat.

      Liked by 1 person

    1. I decided it a good idea to put a little note underneath to point out the video list option, in case YouTube’s “they’ll just somehow know” technique doesn’t actually work. Glad you like his rendition by the way, that is one of my fave performances too. Cheers.

      Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s