The Big Six

Seydel big six harp
Less… art… more…
I had spent many years researching new and innovating Blues Harp designs, specifically focussing on alternate tunings or reed configurations, which allow an otherwise regular harp to be played chromatically off the bat.

There are many.

Most notably the Suzuki Sub30 which actually incorporates an extra ten reeds into the same 20 reed infrastructure, acting as silent “sympathetics”, only sounding when the player instructs them through embouchure.

Yet whilst it was my frustration with an instrument’s limitations that led me to this decade long investigation, it would soon come to pass that this very disposition of the Blues Harp’s design would be the very thing that solves my paradox.

All my life I have taught people a blessed miracle of music, that whence the passion of creativity resides within one, an orchestra can be painted from a pallette of only three colours.

That is to say, music is not the art of playing as many notes as possible as quickly and as loudly as possible… it is the art of creating masterpieces out of only the air, or thus from a flute without even any holes.

Enter… The Big Six.

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Of A Kangaroo…

Of a kangarooI love the Kangaroo. They are special to me, not just because of their beauty, their charm or their charisma, but on a philosophical level. The humble Kangaroo, as I have mentioned in my spiritual works, represents “Creative Evolution”, a pinnacle teaching of my religion, which points to God as the intelligent creator of a world subject in part to the laws of evolution.

It is a topic I will cover in my more personal writings, but in a nutshell, whilst the world is of God’s divine creation, life is also adaptable, evolvable and indeed created to encompass just such traits many speces like the Kangaroo do harbour, through the freely independent laws of science.

However my religion aside, for a) it will only deem this blog quirky and b) it is a lifetime work, so… half a century still to go! Haha.

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