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Aye, the game of Chessatya is not merely a pastime of spiritual recreation between friends, but is also a pastime of spiritual recreation with God.
Whilst the philosophical history behind Chessatya’s creation is one of peace, reconciliation and understanding, Chessatya Solitaire is in fact also a unique philosophical practise completely in and of itself.
As the name suggests, Chessatya Solitaire is indeed a game played solitary. Yet whence thine solitude is one spent meditating with God, thence Chessatya Solitaire is a game shared also with God.
Whilst it is not unusual for Western Chess players to partake in ‘solitaire’ games by themselves, these are in all rationality, only for Opening and positional studies.
For in Western Chess your only opponent is either a real living person or an artificial intelligence simulation.
Chessatya Solitaire is on the other hand a much more sentimentally intimate encapsulation of a “virtual” companion.
That is to say, Chessatya Solitaire embraces through the Dice, the abstract concept of a supernatural opponent. You could call this opponent ‘Karma’, ‘Chaos’ or even ‘God’. Yet for the passionate dedication and purpose for which this game was designed, we will call our companion ‘God’.
Thus the spiritual practise of Chessatya Solitaire is the assertion, proclamation and ascension unto complete honesty and adherence unto God.
This is a game then, of intellectual honesty and an exercise of solitary morale.
Chessatya is a combination of the two words “chess” and the Hindi word “satya” meaning ‘truth’. Thus, “chess in truth”.
The game of Chessatya is a carefully crafted and passionately finetuned transposition of ancient Chaturanga unto modern Chess. It could be described, not as the next evolution of Chess, but as the next revolution of Chaturanga.
The philosophical story behind this game is that, in order for two Christian Kings to resolve their differences and determine who, if either is most righteous, they need to summon the power of time and space through the employment of a Hindu Vimāna.
Thus the message or ‘prophecy’ of Chessatya, is that one must surrender unto the greater enlightenment of all good faiths, in order to find true salvation.
Hindu Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The Pushpaka Vimāna of the king Ravana is the most quoted example of a Vimāna.
Vimāna are historically documented, sometimes in exquisite detail and are believed to be likened to spaceships, or eternal chariots of both space and time.
Chessatya passionately embraces the Vimāna as a foundational counterpart to the spiritual functionality of this game.
Yet before we open our Chessatya treasure trove and reveal all that this majestic game has to offer, it is important to share with you some of the philosophy that invoked its creation.
Friday 9th April 1993
Today would be a sad day. It was my last day at a French school. All the friends I had made would become but a memory to me and unlikely to meet again.
I woke up at 7am this morning, but stayed in bed until 8am. Luckily school started later today. As I dozed I remembered all the good times I had had with my French school friends, like chatting in the school recreation grounds, the magnificent Handball match and oh, of course, those rare moments I got to be near Blondine and exchange smiles.
During my adventures over the past few decades, experimenting with various small acoustic instruments from around the world, I often investigated unusual stringed instruments.
That is to say, stringed instruments which differ somewhat from your regular Guitar or Violin. Of course there is nothing wrong with a good old Guitar, but apart from finding six strings a bit of a handful, I have always preferred the sounds of more exotic stringed instruments, like for example the Bouzouki or the Pipa.
Indeed, many stringed instruments passed my way over the years. The single stringed Dan Bau, the multi keyed Bulbul Tarang, the Baritone and even Bass Ukulele… and even the humble Tumbi.
Aye, in fact one experiment of mine revealed, that the somewhat bland Indian Tumbi can actually be played with a Violin Bow. Go ahead… give it a try!
Yet the one instrument that kept calling to my heart would only do so from a cage of incompatible design.
Assemble ye good Wizards, for ’tis time.
If my earlier creation, Ghost, wasn’t quite to your ghoulish fancy, then why not have a little dabble in the art of spells, with my next… Wxyzaerds.
There are actually so many different kinds of dice on the market, from 4, 6, 8, 10, 12, 20, 24, 30, 60 or even 100 sided dice, to divination, tarot or psychic dice, all kinds of creative, abstract, magical or humorous dice… but, most favourably in my book… letter dice.
Letter or “word” dice are generally six sided with letters of the alphabet printed on their faces. There are various kinds available, but ones which also display a letter value are harder to find.
I will leave a reference at the end of this article to a few such letter scoring dice, but for Wxyzaerds we will be using the nine dice set from the game Dicewords by Graham Lipscomb.
Imagine yourself strolling through a beautiful forest, a canopy of trees and grasses, a myriad of flowers all around and just up ahead, a clearing where a river flows down into a deep pool.
As you approach the water you hear a flute playing. The music is coming from the hillside beyond. You decide to sit a while and listen to the sweet harmonics which echo throughout the landscape.
Then, as a wild Deer wanders into sight across the pond and casts its gaze upon you, a falling rock crashes into the water. The Deer is startled but doesn’t move. For the Deer has heard the music too. And the Deer knows this song.
This is the song of the wilderness.
The Moldavian Kaval is perhaps one of the most powerfully startling flutes in the world. At first its voice, sweet and sonorous, innocent and fragile… yet thence in spirit, becomes the thunder, the rain and the mighty rumbling of the mountains.
For this flute, believed to originate in Transylvania many hundreds of years ago, is a flute with many transcendental voices.
Our present Celtic times are becoming ever moreso a dawning of a new togetherness, not only in spirit but in political unity and strength.
Whilst born in Somerset, it is unto the Celtic lands I have always felt I belonged, where the evergreen forests cry for a spirit to dance amongst them beneath their graceful Moon.
As discussed throughout this blog, the concept of Panceltic unity in modern times is not only a growing discussion, but amidst the unwelcome politics of an anti-European Westminster, its offensive ignorance of any Celtic society outside of London and the unanimously regarded catastrophe of a recent pandemic under Conservative rule, the now crumbling British Isles is actively seeking a way out of its imminent implosion.
Panceltainia is a fine ship, she sails onwards with a raised head.
Yet even thence, a United Celtic Isles would never become a reality without the courage and political determination to first bring people together unto support independence as individual nations.
Until we have all reclaimed and made each our individual Countries independent once again, Panceltainia must sail alone only in our dreams.
Of course, she has always been a dream to me and perhaps her character is true unto only that reality. But independence… aye, at least one thing is true… the time for each our own Celtic nations’ independence is now.
I have previously presented democratic models for how our Celtic nations could go about rebuilding once again as independent Countries, all of which can be found at the Panceltainia Landing Page.