ΙΗΣΟΥΙΤΗΣ ΣΚΑΚΙ ~ Jesuit Chess

Jesuit Chess
Jesuit Chess by Simon Jepps
I am not a Jesuit. Yet deep within my childhood soul, there is a Jesuit who will always be with me.

I believe that if we are to learn anything from Chess, it is that any new evolution of the game will already be a hidden treasure waiting to be discovered deep within its ever growing history.

What I mean by this is somewhat paradoxical.

On the one hand there are an infinite number of evolutionary possibilities for Chess, yet on the other, perhaps its only true evolution will be found deep within its own natural consciousness.

Whilst for centuries Scholars and Grandmasters alike have strived to evolve the game, it can be observed to have already evolved many times through the blossoming of its very own rules.

Thus, whilst my studies and essays about the next evolution of Chess focus on many concepts, for the most part, their primary focus has been to try and continue evolving the game without changing its Classical inventory.

This has always been a challenge and yet one I have always undertaken with the utmost passion, since in all truth it is a quietly shared belief amongst Chessicians, that whilst at first it may seem a paradox of suggestion, the next evolution of Chess will nevertheless maintain the sixty four square board.

Henceforth, the variant I am publishing here today is one such profundity of paradoxical resolution.

For an insight into why evolving Chess is actually a tremendous undertaking, you may also wish to read my other following selected articles and theoretical constructions.

An Understanding Of Mission Design
A Chessician’s in depth study of the mechanics of Chess and how these relate to an example evolution of the game.
The Game Of Chess & The Law Of The Folly
An early predecessor to Open_Sppej which investigates the numerous benefits of alternative piece setups.

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The Shepton Amulet & The Dotdonc On Christ

Amulet Building Shepton Mallet
The Amulet Building, Shepton Mallet, an enormous concrete monostrosity which has never attracted investment, was built in the 1970’s directly on top of a Christian courtyard as part of a Dotdonc programming campaign.
The Dictatorship Of The Deprivation Of Natural Consciousness is not merely a 21st Century programme involving the digitalisation of society, but in many ways an historic issue also.

Of course governments have always desired to “control” the masses, or part of the masses, in some form or another since the beginning of time. For whilst government is a rational inevitability, so is the understanding that such corruption will also, inevitably, attempt to infiltrate.

The Amulet theatre building in the market town of Shepton Mallet was built in the early 1970’s by Babysham founder Francis Showering. Originally called “The Centre”, its purpose, apparently, was to be a central “hub” for entertainment, culture and the arts, in a backward attempt to ignite outside investment into the town.

Some “newspapers” will tell you The Amulet was built as part of an extensive modelling of the whole town. Yet in truth, this “extensive modelling” is merely thus… one pile of redundant concrete sitting directly on top of a sacred Christian dwelling.

Oh make no mistake, in terms of the extensive modelling and I quote, “of the whole town”, this three story megalithic lump of concrete is literally… IT.

Ironic then isn’t it, how the ancient Roman Amulet artefact discovered nearby actually turned out to be a FAKE.

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