The Phantom Of The Chess Board

The Phantom Chess Piece By Simon Jepps
Phantom

Chess is like an Opera,
The board a theatre,
The pieces the performers,
Yet the game has only just begun.
Phantom to f4.

The centuries long search for the next evolution of Chess by Grandmasters and Chessicians alike has indeed proved itself a worthy adversary to even the greatest minds.

Yet perhaps this little wonder which has boggled so many for such a long time is and always has been staring us in the face. Laughing at us. Dancing around us unawares. Teasing us with possibilities but then never materialising to grant us its existence.

Indeed the “holy grail” that is the evolution of Chess may very well have driven many a player insane with torment.

Today however, I do believe that someone, who has lurked amongst the shadows of the Chess board for so many centuries, seems to have forgotten their cape.

Elusive, aren’t they, Phantoms?

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Siomega’n Openings & Pawnspace

Siomega Chess by Simon Jepps
Black plays 14… h6.
As discussed often regarding one hundred square board variants, Opening play about this much larger arena is often observed to weaken the collective strength of Pawns, since vast spaces will grow between them reducing their ability to form defensive communities.

Yet perhaps what is more often overlooked, is the remedy within the individual player’s ability to adjust and adapt to a different style of play.

In actual fact, whence playing a 100sq variant such as Siomega, the most experienced players of such an arena will tell you, the secrets of defensive agility reside in the ability to play offensively yet at arms reach ~ recumbently so to speak, yet with a long distance catapult.

Indeed scholars of “Hedgehog” systems may find this article of particular interest.

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