Keytoy ~ Rainbluew Styling By Jepps

Keytoy ~ Rainbluew Styling By Jepps
The Rainbluew Keytoy By Jepps
Ladies and gentlemen, this little beauty you see right here is my most recent and beloved creation.

Readers of my blog will know I have dabbled in custom styling of melodicas before. Yet even whence dancing with the radioactive moon in the grace of the night, I still felt my one true love to be amiss.

I have discovered gradually over many years that my “problem” with the melodica is nothing to do with its performance, or that it is a “one handed” instrument.

Nay, for even a trumpet is a one handed instrument and besides, the performance of a melodica is purely a question of decent reed quality and adjustment.

Indeed, the base model featured here is a Hohner Superforce 37. Give the reeds a personal tweak and she will be your spouse for life.

No, my “problem” in the end all crunched down to aesthetics. How does it look and feel to hold?

Thus after experimenting a few times, I decided it was high time I actually put in some serious effort to design my own “Jepps” style.

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Tenor Harp ~ Authentic Terminology For An Authentic Harmonica

Tenor Harp Hohner CX12 Jazz
Hohner CX12 Jazz Tenor Harp
Here is an interesting story of how about I came to play the Tenor Harp.

Those familiar with my blog will know that I am originally a lounge pianist, who has performed in many locations such as the Royal Palace, Turin.

Yet since returning to England shortly after the turn of the millennium, it began to become ever moreso apparent to me that the Piano was only a burden on my freedom.

Whilst passionately in love with the instrument since only a child, it would become both the heartbreak and the revelation of my musical destiny.

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KEYTOY {Melodica/Pianica/Melodion}

Jepps Keytoy Hohner Superforce 37
This all black Keytoy is the superior Hohner Superforce 37. I own more than one of these, for spare parts and for the security of a decent instrument. Both sweet and powerful, in my opinion, the SF37 is the best reasonably priced professional Keytoy on the market.
Here’s an illusive little known wonder ~ the Melodica.

Call it what you will, what I call the Keytoy is actually a divine messenger of God, born from the heart of a Child.

Once upon a time the Melodica was only found in toy stores, or fairly selective music shops. It was by no means seen to be a professional instrument, not in any way.

It was however embraced rapidly by the Reggae communities and in time became a hallmark of their music.

It was here and then whence stage pianists became interested in the possibility of a more academically encompassing Melodica, with a greater scope for novelty accompaniments and indeed teaching.

Once the guys at Hohner became aware of the interest, they set themselves a little side project, just to test the waters… of a performance grade Melodica.

Hohner released a couple of these “scouts” onto the market… they watched… and waited… looking for any sign of a cultural rustling.

And when it came… it came from the top.

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Special 20 Country Tuned

Special 20 Country Tuning
Paint the country blue… or erm, illusive copper.
I recently blogged about the Seydel Big Six and how the attempt to chromaticize Blues Harmonicas only destroys the very philosophy of its own original voice.

That philosophy, born from the oppressed good black folks of America, speaks of the strength to make the most of what little you have and the meditation therefore, to create more from less.

It is only natural then of the Blues Harpist, to recreate or arrange melodies from other genres in a way that satisfies both the instrument’s demands and the listener’s ear.

More than often this means not only an alteration of style, but to manipulate the existence of notes which are not naturally sounding in the Harmonica.

This is a technique called ‘bending’.

Whilst they may sound harsh if held too long, or whence unnaturally forced to support a piece of weighty Bach, whence employed as careful “passing notes” they can often convey a very subtle beauty of speech.

Yet therein, due to their unnatural sounding, there is an element of truth in what modern harmonica players say, that sometimes if just one note of their instrument were changed, then so would their entire world.

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